Godzilla
Raids Again (1955)
Not Rated
Starring: Hiroshi Koizumi, Setsuko Wakayama,
and Minoru Chiaki
Rating:

out
of

|
Following
the massive success of 1954's Gojira, the first Godzilla film,
Toho Studios ordered another film quickly be made. Godzilla Raids
Again,
the first of what would eventually be a series of many Godzilla movies,
was rushed into production. Made and released only six months after the
original
film,
the movie exhibits
many
problems
that are more than likely the result of the hurried schedule. Koji
Kobayashi (Minoru Chiaki), a spotter pilot for a large fishing fleet,
encounters engine trouble and is forced to land his seaplane near a remote
island in the Pacific. His best friend and fellow pilot, Shoichi Tsukioka
(Hiroshi
Koizumi), lands nearby and, before the two pilots can leave the island,
they spot two large prehistoric monsters fighting to the death. Narrowly
escaping being crushed under their feet, the two pilots watch as the
two creatures tumble into the sea.
Upon
returning to Japan, the pilots report what they've seen to the local
authorities. Based on the descriptions the pilots give, a scientist
determines one of the creatures to be Godzilla, who had recently
terrorized Tokyo. The other is Anguirus, an armor-plated dinosaur,
known for his quick speed and ferocity.
Based
on what they've learned from the first Godzilla attack, they know they
can't defeat the creatures with conventional weapons. So, the authorities
quickly assemble a plan to keep the creatures from attacking Osaka,
eliminating
the
need to confront them directly. The plan seems to work until an unforeseen
incident causes the monsters to resume their battle on land.
Being
that this was the first Godzilla sequel, it seems apparent that the filmmakers
had no vision as to what the series would
eventually become over time. The plot seems to be more of a retread of
the first film with an extra monster added to give Godzilla a new reason
to attack Japan. Unfortunately, the inclusion of Anguirus does more to
hurt than help as he's dispatched halfway through the movie leaving
the film's dramatic tension -- or what little there is -- hanging out
to dry.
The
special effects work that was so carefully crafted in
the first film is fairly shoddy here. Although a few scenes are impressive,
the majority of the scenes featuring Godzilla and Anguirus are poorly
done. Due to a technical error, the combat scenes between the two monsters
are shot in high-speed. It's a strange juxtaposition for
Godzilla, who lumbers slowly when he walks, but fights like a amphetamine-crazed
wrestler.
Also
sorely missed is the somber tone of Gojira. Godzilla
Raids Again, which was directed by Motoyoshi Oda, has a more matter-of-fact
approach to the idea of giant monsters attacking Japan than Ishiro Honda
exhibited in the original movie. The script does try to insert some tragic
elements but they're rather ineffective.
If
it sounds like I'm being a little too hard on what is, essentially, a
B-movie, it's because Gojira was
a monster movie but it also provided a warning about nuclear weapons
and the destruction they can unleash upon the world. With its concentration
on
being a monster movie -- and a relatively silly one at that -- Godzilla
Raids Again is the first awkward step that the Godzilla series takes
away from being horrific and toward what would eventually become children's
entertainment. As such, it's disappointing.
If
you're a Godzilla fan, Godzilla Raids Again is worth seeing for its historical
value and as a curiosity. It's not a great movie on any level, but it
does make for interesting viewing. If you're not a Godzilla fan, I probably
don't have to tell you to skip this one.
Godzilla
Raids Again, which was largely unavailable on video in the U.S., was
just re-released by Classic Media on DVD. The DVD includes the original
Japanese version (reviewed here) as well as the U.S. version, which is
sometimes referred to as Gigantis, The Fire Monster, the title
it was given for U.S. audiences. Trivia: Special
effects director Eiji Tsuburaya wanted the fight scenes filmed in
slow motion, but a camera technician accidentally undercranked the
camera instead of overcranking it, resulting in the action appearing
faster than reality. Tsuburaya liked the effect, and decided to use
it in the film. (Source: The
Internet Movie Database) |