The
Majestic (2001)
Rated R
Starring: Jim Carrey, Martin Landau, and
Bob Balaban
Rating:

out
of

|
Jim Carrey's quest to become a serious actor has led him to take some
interesting roles. First, he was the media-fueled, crazed cable guy in
The Cable Guy. Then, he was Truman Burbank, the man who everyone watched,
in The Truman Show. His most recent, before the movie I'm about to review,
was as Andy Kaufman in Man on the Moon. In all of these films, Carrey
has relied on his comedic talents to a degree. In The
Majestic, a movie directed by Frank Darabont of The Shawshank
Redemption and The Green Mile fame, Carrey does not rely on his comedic
tendencies at all. In fact, if this role were played by Jimmy Stewart
in the late 1940s, no one would bat an eye.
The
Majestic tells the tale of Peter Appleton (Carrey), a scriptwriter in
pre-Red Scare
Hollywood.
His girlfriend is a budding actress; he tools
around Hollywood in a Mercedes convertible and his new script is about
to put him on the "A-list." That is until the Red Scare comes
to his studio. Suddenly, a meeting he attended in college puts his career
in jeopardy. His script is reviewed by a government board, the production
is cancelled, and his girlfriend dumps him. Feeling depressed at this
horrible turn of events, Peter takes a drive up the coast and gets into
a car accident that leaves him with amnesia.
He's found by a man walking his dog, who thinks he looks awfully familiar,
who takes him to the small town of Lawson, California. The local doctor,
who treats Peter's injuries, also thinks he looks familiar. Finally, Harry
Trimble (Martin Landau) sees Peter and believes he is his son, Luke, who
was lost in World War II nine years earlier. Peter, who has no clue who
he is, accepts this as fact and tries to reclaim his memory as Luke.
As
the local townsfolk introduce themselves and try to jog his memory, "Luke" helps
them get over the depression that has set upon the town since the war
ended. Many of Lawson's young men were lost in the war and the town really
hasn't recovered from that. Seeing "Luke" return from the dead
injects enthusiasm and hope back into the town. His return inspires Harry
Trimble to reopen the town's theater, The Majestic.
Eventually, though, Peter's absence from Hollywood sends up a red flag.
Anti-communist investigators, including a nasty Elvin Clyde (Bob Balaban),
a member of the House Un-American Activities Committee, theorize that
Peter is on the lamb and this can only mean he's a much larger fish to
fry than they had originally thought. He must be found and brought back
to Hollywood to testify before the committee.
The
Majestic is unapologetically patriotic but not in the form of the current
trendy blind patriotism.
It reminds the audience to ask questions
that need asking, especially in post-9/11 times, when civil liberties
are being stripped in the name of "doing your duty for your country." The
movie also has a nostalgic side that makes one long for simpler times
and simpler pleasures like taking in a movie or even going for a walk
with your significant other.
Jim Carrey has never been better in a dramatic role. There are light
comedic moments, but nothing that requires Carrey to revert to his manic
style. That's a good thing. Martin Landau, Laurie Holden and David Ogden
Stiers are all good in their roles as well. The real hidden treat here
is Gerry Black as Emmett Smith, the Majestic's usher.
The
Majestic is a fine, if slightly overlong, film that is strong on performances
and
political
grandstanding but just a bit heavy on clichés.
Still, it's worth seeing, especially for Carrey's work and the fine musical
score.
Trivia: The
golden idol Khalid uses to knock out Emily's father in "Sand
Pirates of the Sahara" was lent to the production by Steven Spielberg
and is the same prop used in the opening sequence of Raiders of
the Lost Ark. (Source: The
Internet Movie Database) |