Sin
City (2005)
Rated R
Starring: Mickey Rourke, Bruce Willis, and
Clive Owen
Rating:

out
of

|
Comic book writer Frank Miller
had such a bad experience with Hollywood in 1990 when producers butchered
his script for RoboCop 2 that he swore
he'd never work with movies again. However, Robert Rodriguez did a short
film based on one of Miller's "Sin City" stories that so impressed
Miller that he won the chance to direct a full blown feature based on
the graphic novels of the same name so long as Miller was given control
of the script.
Sin
City, the movie, is just
as violent and noir-ish as its source material. In fact, most of the
movie is lifted directly from the books, matched
from panel to shot, with so little variation that Frank Miller is actually
credited as a co-director. The movie adapts four stories from the graphic
novels: "The Big Fat Kill", "The Long Hard Goodbye", "The
Customer is Always Right", and "The Yellow Bastard."
Central to the film is Marv
(Mickey Rourke), a large man who's virtually indestructible, who goes
on a rampage of vengeance to kill the men who
murdered the only woman he ever loved. His segment of the film, "The
Long Hard Goodbye" is, by far, the most entertaining and enjoyable.
Rourke is perfectly cast as the hulking Marv and he clearly seems to be
enjoying himself as he casts aside cops like toys and jumps out of buildings
without dying. (He certainly does pick up a few scratches, however.)
Bruce Willis, a perfect noir
actor, is also very good as Hartigan, a cop who saves a young girl from
a brutal rape only to pay a high price
for doing the right thing. His story, "The Yellow Bastard" is
the second most entertaining.
"The Big Fat Kill",
featuring Clive Owen and Benecio Del Toro, manages to slow the movie
to a crawl and ultimately stops me from giving
a five-star rating. It's not that it's horrible, but just does not fare
so well next to the excellent stories of Marv and Hartigan. It's certainly
easy on the eyes, with Brittany Murphy, Rosario Dawson, Devon Aoki and
Alexis Bledel parading around half-naked, but it falls flat in the pacing
department.
Josh Hartnett as a hired killer
in "The Customer Is Always Right" bookends
the movie and manages to wrap things up nicely.
Robert Rodriguez, who has used
digital techniques so well in movies like Once Upon a Time in Mexico and the Spy
Kids films, achieves the pinnacle
of digital moviemaking with Sin City. Although other films have tried
to integrate digital effects seemlessly with live action, I can only think
of one other (Sky Captain & the
World of Tomorrow) that comes close
to Sin City's ability to immerse the viewer in a universe that exists
only on film (or in the graphic novels). Unfortunately, not all the stories
included in Sin City hit the same kind of highs in the pacing and storyline
quality departments.
If there's a sequel -- and
I'm hoping there will be -- I hope that the storylines are all as interesting
as "The Long Hard Goodbye" and "The
Yellow Bastard." If so, Rodriguez and Miller will have the ultimate
comic book/graphic novel film adaptation. Trivia: Although
several of the actors already looked similar their characters, some
of them underwent make-up and prosthetics to more strongly resemble
their Miller-drawn likenesses, including Bruce Willis, Mickey Rourke,
Benecio Del Toro and Nick Stahl. (Source: The
Internet Movie Database) |