X-Men (2000)
Rated PG13
Starring: Patrick Stewart, Hugh Jackman,
and Ian McKellen
Rating:

out
of

|
Let me start out by saying that I am not and have never been an X-Men fan.
I have seen a few episodes of the animated series and am familiar with the
comic books, but I've never been that impressed with either one. I understood
that they were considered far more intelligent and character-oriented than
most comic book/cartoon series, but I never found that much appeal in them.
When I heard that the series was making the leap to the big screen, I wasn't
looking forward to seeing it. If you've read some of my other reviews of
comic book movies, like Spawn, Batman, and Blade, you know that I'm always
ready for a good, solid translation of a comic series to the big screen and
am disappointed when I don't get it. X-Men just sounded like a disappointment
waiting to happen. I was wrong for the most part.
X-Men begins by introducing the concept of the Mutants, humans who have
evolved special powers through natural genetic mutations. The first mutant
to appear on-screen is Erik Lehnsherr, who discovers his power to move
metal and create magnetic fields as a boy in a German concentration camp.
Fast forward to present day, when a Senator Robert Jefferson Kelly (Bruce
Davison) introduces legislation that will force Mutants to identify themselves
and be registered so that the U.S. government can keep tabs on them. Erik,
now known as Magneto (Ian McKellen) finds the parallels of this legislation
and the Germans' treatment of the Jews during World War II very disturbing.
He vows to fight a war with the humans rather than submit to their persecution.
Diametrically opposed to Magneto is Professor Charles Xavier (Patrick Stewart),
a Mutant with telepathic powers. Professor X hopes that the human race
has evolved since the 1940s and would no longer persecute a race for simply
being different. He has created the Xavier Institute for Higher Learning
that claims to be a school for gifted children but, in actuality, is a
safe-haven for Mutants, giving them the opportunity to help them understand
themselves.
We then meet the individual X-Men, who are assembled by Professor X to
help him protect the humans from Magneto's aims. Rogue (Anna Paquin) has
the power to temporarily absorb the life-force of others, taking on their
essence for a short time. Wolverine (Hugh Jackman) has the power to heal
himself and has been modified with internal adamantium armor and blades
that can extend from his knuckles. Cyclops (James Marsden) can emit strong
laser beams from his eyes. Storm (Halle Berry) can control the weather.
Jean Grey (Famke Janssen), a doctor at Professor X's school, has telepathic
powers. Magneto's group of Mutants includes Sabretooth (Tyler Mane), who
is a less-smart version of Wolverine (minus the adamantium); Mystique (Rebecca
Romijn-Stamos), a blue-skinned woman who can morph into other people's
appearance; and Toad (Ray Park), a half-human/half amphibian with a long,
dangerous tongue.
The plot concerns the admission of Rogue and Wolverine into the X-Men
and their uncovering of Magneto's attempts to disrupt a summit of the world's
leaders that may determine the fate of the Mutants. It's a typical, simplistic
comic book style plot that serves at once to introduce the audience to
the X-Men and their foes as well as to give the bad guys something to do.
It's not terribly imaginative, but it works.
The cast, which I had initially thought ill-chosen, is remarkably good.
Patrick Stewart makes a believable Professor X and Hugh Jackman is absolutely
perfect at Wolverine. The biggest trip-up? Halle Berry as Storm. She simply
lacks the charisma of the character and delivers her lines with no wit
or wisdom. Her singular attempt at a one-liner flops miserably, which is
in stark contrast to the rest of the cast, who fit into their roles quite
nicely. Ian McKellen, who I had feared was above this type of material,
makes a great Magneto although he doesn't look very good in the get-up
he's required to wear.
The action, which is the heart of any solid comic book film, is excellent
if not quite spectacular. A fight between Wolverine and Mystique recalls
the fight scenes of The Matrix while not quite matching them in terms of
style points. Another battle, between Toad and Storm, is also quite good.
The only thing that feels odd is the whole point of Jean Grey's character.
She doesn't seem to have much to do, aside from examine Wolverine on a
table several times and use her telekinetic powers once or twice. Fans
of the comic book may scoff at the omission of notable characters, such
as Beast, Gambit and Jubilee. Other comic fans may argue that the characters
are too far removed from their comic representations in terms of how powerful
they are or how they behave. Frankly, none of this mattered to me as I
enjoyed all of the characters, aside from the lackluster Storm.
In the end, this is not the perfect comic book movie. X-Men does take itself seriously, which is what I think is proper for a movie
that deals
with issues such as prejudice and persecution for "being different." The
movie doesn't hit on all cylinders at all times, faltering with a somewhat
anti-climactic ending and an inability to remain at a steady pace throughout
the film. However, the story gets top billing over the special effects
and the characters are strong enough to carry the movie from beginning
to end. If the inevitable sequel does a bit of fine-tuning, the ultimate
comic book movie may become reality.
Trivia: Famke
Janssen appeared as Xenia Onatopp in 1995's GoldenEye. (Source: The
Internet Movie Database) |